Effective Sensor Size
17.78mm x 10mm (Four Thirds)
Designed for powerful SDI switchers, Blackmagic Studio Camera 4K Pro G2 adds professional 12G-SDI and 10G Ethernet connections. That’s perfect when the camera is located a long distance from a switcher. There’s a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that’s much lower cost.
17.78mm x 10mm (Four Thirds)
Active MFT Mount.
Iris, focus, zoom on supported lenses.
13 Stops.
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
63dB for 2160p.
3840 x 2160 (Ultra HD) up to 60 fps.
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.
Off-speed frame rates up to 60 fps in Ultra HD.
Auto focus available using compatible lenses.
7 inch 1920 x 1200
LCD capacitive touchscreen.
2000 nits
Touchscreen camera settings and menus with rotary settings dial, program button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.
2 x 1/4 inch tripod mount.
1 x 3/8 inch tripod mount.
1
1
1.5G, 3G, 6G, 12G.
1
2 x XLR analog switchable between mic and line levels. Phantom power support.
1 x 3.5mm Stereo Input. Can also be used for Timecode input.
1 x 5-pin XLR for talkback headset.
1 x 3.5mm TRRS mini jack for headphones with mic.
Tri-Sync or Black Burst when used with optional Blackmagic Studio Converter.
Program SDI Input on camera or on Blackmagic Studio Converter.
2 channels of program audio embedded in 1.5G/3G/6G/12G-SDI. 2 talkback channels on 15 and 16
Remote camera control over SDI, HDMI or Ethernet.
10Gb/s
2 x USB Type‑C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB‑C Port A.
Integrated stereo microphone.
1 x mono speaker.
Blackmagic Studio Camera 4K Pro G2 supports direct live streaming using Real Time Messaging Protocol (RTMP) over ethernet or a shared mobile internet connection over USB‑C.
ATEM Television Studio HD8 ISO, ATEM Streaming Bridge, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.
None
1080i50, 1080i59.94, 1080i60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
Television standard sample rate of 48 kHz and 24‑bit.
Television standard sample rate of 48 kHz and 24‑bit.
2 x USB-C 3.1 Gen 1 expansion ports for externalmedia for recording Blackmagic RAW.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
2 x USB‑C 3.1 Gen 1 expansion ports for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in Ultra HD 3840 x 2160 at the selected frame rate.
Storage rates based on 30 frames per second.
3840 x 2160 (Ultra HD)
Blackmagic RAW 3:1 – 127 MB/s
Blackmagic RAW 5:1 – 77 MB/s
Blackmagic RAW 8:1 – 48 MB/s
Blackmagic RAW 12:1 – 32 MB/s
Blackmagic RAW Q0 – 96 to 190 MB/s
Blackmagic RAW Q1 – 64 to 153 MB/s
Blackmagic RAW Q3 – 43 to 109 MB/s
Blackmagic RAW Q5 – 26 to 64 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Blackmagic Control Protocol over SDI and HDMI for external control when used with a compatible ATEM switcher with ATEM Software Control or ATEM Camera Control Panel. Includes control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and record start and stop to external media via USB expansion port.
Camera Control REST API over Ethernet or USB Ethernet for external control via HTTP when used with REST client applications such as Postman.
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
Download files from any drive attached to your camera using FTP.
File sharing using SMB
DaVinci YRGB
1 x front facing for talent,
1 x rear facing for operator.
SDI Channels 15 and 16.
Blackmagic Camera Setup for Mac and Windows.
Mac 12.0 Monterey,
Mac 13.0 Ventura or later.
Windows 10, 64-bit.
1 x External 12V DC 60W power supply.
1 x 12V DC locking 5.5 mm barrel connector.
1 x 12V DC 4 pin XLR input for external power supply or battery use.
1 x RJ45 Ethernet connector for power from Type 4 PoE power supplies.
26 ‑ 40 W using DC input.
30 ‑ 46 W using PoE input.
Blackmagic Focus Demand
Blackmagic Zoom Demand
Blackmagic Studio Converter
ATEM Mini switchers
ATEM Television Studio Pro switchers
Blackmagic 3G‑SDI Shield for Arduino
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Studio Camera 4K Pro G2
Blackmagic Studio Camera Sun Shade
Tripod Mount compatible with 15mm lightweight rails
Turret Dust Cap
External 12V DC power supply with locking connector and international sockets adapters for most countries.
12 Month Limited Manufacturer’s Warranty.
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The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
Blackmagic Zoom Demand
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