{"id":26243,"date":"2021-11-12T19:39:35","date_gmt":"2021-11-12T17:39:35","guid":{"rendered":"https:\/\/hannu-pro.ee\/product\/blackmagic-ursa-broadcast-g2\/"},"modified":"2026-03-27T10:11:33","modified_gmt":"2026-03-27T08:11:33","slug":"blackmagic-ursa-broadcast-g2","status":"publish","type":"product","link":"https:\/\/hannu-pro.ee\/en\/toode\/blackmagic-ursa-broadcast-g2\/","title":{"rendered":"Blackmagic URSA Broadcast G2"},"content":{"rendered":"
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Description<\/h3>\n

The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!<\/p>\n<\/div>\n<\/div>\n

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 <\/h3>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Camera Features<\/h3>\n
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Effective Sensor Size<\/h4>\n

2\/3 inch sensor size when using 4K B4 mount<\/p>\n

(Actual sensor<\/span> size 23.10mm x 12.99mm)<\/p>\n<\/article>\n

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Lens Mount<\/h4>\n

B4 2\/3 inch installed<\/p>\n

Active EF mount also included<\/p>\n<\/article>\n

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Lens Control<\/h4>\n

Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.<\/p>\n<\/article>\n

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Lens Correction<\/h4>\n

In-camera correction of color fringing when using compatible broadcast lenses.<\/p>\n<\/article>\n

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Dynamic Range<\/h4>\n

13 Stops<\/p>\n<\/article>\n

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Dual Native ISO<\/h4>\n

0dB and 18dB gain.<\/p>\n<\/article>\n

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Sensitivity at 0dB Gain<\/h4>\n

f<\/span>11 with 2160p59.94.<\/p>\n

f<\/span>12 with 2160p50.<\/p>\n

at 2,000 lux with 89.9% reflectance.<\/p>\n

additional 1.1 stop light loss using 4K B4 mount.<\/p>\n<\/article>\n

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Signal to Noise Ratio<\/h4>\n

64.62dB for 2160p<\/p>\n

Ultra HD scaled from 5.3K<\/p>\n<\/article>\n

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Built in ND Filters<\/h4>\n

Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.<\/p>\n<\/article>\n

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Focus<\/h4>\n

Focus button turns on peaking, auto focus available using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.<\/p>\n<\/article>\n

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Iris Control<\/h4>\n

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button<\/span> for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.<\/p>\n<\/article>\n

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Screen Dimensions<\/h4>\n

4 inch<\/p>\n<\/article>\n

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Screen Type<\/h4>\n

LCD capacitive touchscreen.<\/p>\n<\/article>\n

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Controls<\/h4>\n

Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.<\/p>\n<\/article>\n

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ProRes Shooting Resolutionsand Frame Rates<\/h4>\n

3840 x 2160 (Ultra HD) up to 60 fps<\/p>\n

from Ultra HD window or scaled from 5.3Kwindowed sensor<\/p>\n

3840 x 2160 (Ultra HD) up to 50 fps<\/p>\n

scaled from full sensor<\/p>\n

1920 x 1080 (HD) up to 120 fps<\/p>\n

scaled from 2.7K windowed sensor<\/p>\n

1920 x 1080 (HD) up to 60 fps<\/p>\n

scaled from Ultra HD or 5.3Kwindowed sensor<\/p>\n

1920 x 1080 (HD) up to 50 fps<\/p>\n

scaled from full sensor<\/p>\n<\/article>\n

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H.265 Shooting Resolutionsand Frame Rates<\/h4>\n

3840 x 2160 (Ultra HD) up to 60 fps<\/p>\n

from Ultra HD window or scaled from 5.3Kwindowed sensor<\/p>\n

3840 x 2160 (Ultra HD) up to 50 fps<\/p>\n

scaled from full sensor<\/p>\n<\/article>\n

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H.264 Shooting Resolutionsand Frame Rates<\/h4>\n

1920 x 1080 (HD) up to 60 fps<\/p>\n

scaled from Ultra HD or 5.3K windowed sensor<\/p>\n

1920 x 1080 (HD) up to 50 fps<\/p>\n

scaled from full sensor<\/p>\n<\/article>\n

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Blackmagic RAW Shooting Resolutionsand Frame Rates<\/h4>\n

6144 x 3456 (6K) up to 50 fps<\/p>\n

6144 x 2560 (6K 2.4:1) up to 60 fps<\/p>\n

5376 x 3024 (5.3K 16:9) up to 60 fps<\/p>\n

3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps<\/p>\n

3840 x 2160 (Ultra HD) up to 60 fps<\/p>\n

1920 x 1080 (HD) up to 150 fps<\/p>\n<\/article>\n

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Project Frame Rates<\/h4>\n

23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.<\/p>\n

Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.<\/p>\n<\/article>\n

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Metadata Support<\/h4>\n

Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate<\/span> data such as project, scene number, take and special notes.<\/span><\/p>\n<\/article>\n

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Timecode Clock<\/h4>\n

Highly accurate timecode clock. Less than 1 frame drift every 8 hours.<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Connections<\/h3>\n
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SDI Video Inputs<\/h4>\n

1<\/p>\n<\/article>\n

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SDI Video Outputs<\/h4>\n

1<\/p>\n<\/article>\n

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SDI Monitor Outputs<\/h4>\n

1<\/p>\n<\/article>\n

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SDI Rates<\/h4>\n

1.5G, 3G, 6G, 12G.<\/p>\n<\/article>\n

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Analog Audio Inputs<\/h4>\n

2 x XLR switchable between mic, line and AES digital audio.<\/span> Phantom power support.<\/p>\n<\/article>\n

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Analog Audio Outputs<\/h4>\n

1 x 3.5mm headphone jack, supports iPhone style headset for talkback.<\/p>\n<\/article>\n

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Reference Inputs<\/h4>\n

Tri-Sync\/Black Burst\/Timecode.<\/p>\n<\/article>\n

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Lens Control<\/h4>\n

1 x 12-pin Hirose Broadcast Lens Connector<\/p>\n<\/article>\n

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Remote Control<\/h4>\n

1 x 2.5mm LANC input for Rec Start\/Stop, plus Iris and Focus<\/span> control using compatible lenses.<\/p>\n<\/article>\n

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Computer Interface<\/h4>\n

1 x USB Type\u2011C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type\u2011C for software updates.<\/p>\n<\/article>\n<\/div>\n

\"Blackmagic<\/section>\n

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Audio<\/h3>\n
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Microphone<\/h4>\n

Integrated stereo microphone.<\/p>\n<\/article>\n

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Built in Speaker<\/h4>\n

1 x mono speaker.<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Standards<\/h3>\n
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SD Video Standards<\/h4>\n

None<\/p>\n<\/article>\n

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HD Video Standards<\/h4>\n

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60 <\/p>\n<\/article>\n

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Ultra HD Video Standards<\/h4>\n

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 <\/p>\n<\/article>\n

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SDI Compliance<\/h4>\n

SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081\u20111, SMPTE 2081\u201110, SMPTE 2082\u20111 and SMPTE 2082\u201110<\/p>\n<\/article>\n

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SDI Audio Sampling<\/h4>\n

48 kHz and 24 bit<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Media<\/h3>\n
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Media<\/h4>\n

2 x CFast 2.0 card slots, 2 x SD UHS\u2011II card slots, 1 x USB\u2011C 3.1 Gen 2 expansion port with power delivery for recording to external media.<\/p>\n<\/article>\n

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Media Format<\/h4>\n

Can format media to ExFAT for Windows and Mac or HFS+<\/span> for Mac (file systems).<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Supported Codecs<\/h3>\n
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Codecs<\/h4>\n

Apple ProRes 422 HQ,

\nApple ProRes 422,

\nH.265 SDI (10-bit 4:2:2),

\nH.265 High (10-bit 4:2:0),

\nH.265 Medium (10-bit 4:2:0),

\nH.265 Low (10-bit 4:2:0),

\nH.264 SDI (10-bit 4:2:2),

\nH.264 High (8-bit 4:2:0),

\nH.264 Medium (8-bit 4:2:0),

\nH.264 Low (8-bit 4:2:0),

\nBlackmagic RAW Constant Bitrate 3:1,

\nBlackmagic RAW Constant Bitrate 5:1,

\nBlackmagic RAW Constant Bitrate 8:1,

\nBlackmagic RAW Constant Bitrate 12:1,

\nBlackmagic RAW Constant Quality Q0,

\nBlackmagic RAW Constant Quality Q1,

\nBlackmagic RAW Constant Quality Q3,

\nBlackmagic RAW Constant Quality Q5<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Control<\/h3>\n
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External Control<\/h4>\n

Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Color Corrector<\/h3>\n
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Color Corrector<\/h4>\n

DaVinci YRGB.<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Talkback and Tally<\/h3>\n
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Talkback<\/h4>\n

SDI Channels 15\/16 and iPhone headset.<\/p>\n<\/article>\n

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Live Tally Indicator<\/h4>\n

Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Storage Features<\/h3>\n
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Storage Type<\/h4>\n

2 x CFast 2.0<\/p>\n

2 x SD UHS\u2011II cards<\/p>\n

1 x high speed USB\u2011C expansion port for external media.<\/p>\n

2.5 inch SSD using optional URSA Mini Recorder<\/p>\n<\/article>\n<\/div>\n

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Storage Rates<\/h4>\n

Storage rates based on 30 frames per second.<\/p>\n<\/article>\n

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6144 x 3456 (6K)<\/p>\n

Blackmagic RAW 3:1 – 323 MB\/s

\nBlackmagic RAW 5:1 – 194 MB\/s

\nBlackmagic RAW 8:1 – 121 MB\/s

\nBlackmagic RAW 12:1 – 81 MB\/s

\nBlackmagic RAW Q0 – 242 to 483 MB\/s 

\nBlackmagic RAW Q1 – 162 to 387 MB\/s 

\nBlackmagic RAW Q3 – 108 to 277 MB\/s 

\nBlackmagic RAW Q5 – 65 to 162 MB\/s <\/p>\n

6144 x 2560 (6K 2.4:1)<\/p>\n

Blackmagic RAW 3:1 – 240 MB\/s

\nBlackmagic RAW 5:1 – 144 MB\/s

\nBlackmagic RAW 8:1 – 90 MB\/s

\nBlackmagic RAW 12:1 – 60 MB\/s

\nBlackmagic RAW Q0 – 180 to 359 MB\/s 

\nBlackmagic RAW Q1 – 120 to 287 MB\/s 

\nBlackmagic RAW Q3 – 80 to 205 MB\/s 

\nBlackmagic RAW Q5 – 49 to 120 MB\/s <\/p>\n

5376 x 3024 (5.3K 16:9)<\/p>\n

Blackmagic RAW 3:1 – 248 MB\/s

\nBlackmagic RAW 5:1 – 149 MB\/s

\nBlackmagic RAW 8:1 – 94 MB\/s

\nBlackmagic RAW 12:1 – 63 MB\/s

\nBlackmagic RAW Q0 – 186 to 371 MB\/s 

\nBlackmagic RAW Q1 – 125 to 297 MB\/s 

\nBlackmagic RAW Q3 – 84 to 213 MB\/s 

\nBlackmagic RAW Q5 – 51 to 125 MB\/s <\/p>\n

3728 x 3104 (3.7K 6:5 anamorphic)<\/p>\n

Blackmagic RAW 3:1 – 177 MB\/s

\nBlackmagic RAW 5:1 – 106 MB\/s

\nBlackmagic RAW 8:1 – 67 MB\/s

\nBlackmagic RAW 12:1 – 45 MB\/s

\nBlackmagic RAW Q0 – 133 to 265 MB\/s 

\nBlackmagic RAW Q1 – 89 to 212 MB\/s 

\nBlackmagic RAW Q3 – 60 to 152 MB\/s 

\nBlackmagic RAW Q5 – 36 to 89 MB\/s <\/p>\n<\/article>\n

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3840 x 2160 (Ultra HD)<\/p>\n

Apple ProRes 422 HQ – 110 MB\/s

\nApple ProRes 422 – 73.6 MB\/s

\nH.265 SDI – 12.3 MB\/s

\nH.265 High – 10.8 MB\/s

\nH.265 Medium – 7.8 MB\/s

\nH.265 Low – 3.2 MB\/s

\nBlackmagic RAW 3:1 – 127 MB\/s

\nBlackmagic RAW 5:1 – 77 MB\/s

\nBlackmagic RAW 8:1 – 48 MB\/s

\nBlackmagic RAW 12:1 – 32 MB\/s

\nBlackmagic RAW Q0 – 96 to 190 MB\/s 

\nBlackmagic RAW Q1 – 64 to 153 MB\/s 

\nBlackmagic RAW Q3 – 43 to 109 MB\/s 

\nBlackmagic RAW Q5 – 26 to 64 MB\/s <\/p>\n

1920 x 1080<\/span><\/p>\n

Apple ProRes 422 HQ – 27.5 MB\/s

\nApple ProRes 422 – 18.4 MB\/s

\nH.264 SDI – 7.0 MB\/s

\nH.264 High – 5.6 MB\/s

\nH.264 Medium – 3.2 MB\/s

\nH.264 Low – 1.8 MB\/s

\nBlackmagic RAW 3:1 – 19 MB\/s

\nBlackmagic RAW 5:1 – 12 MB\/s

\nBlackmagic RAW 8:1 – 7.8 MB\/s

\nBlackmagic RAW 12:1 – 5.2 MB\/s

\nBlackmagic RAW Q0 – 23 to 47 MB\/s 

\nBlackmagic RAW Q1 – 16 to 37 MB\/s 

\nBlackmagic RAW Q3 – 10 to 27 MB\/s 

\nBlackmagic RAW Q5 – 6 to 16 MB\/s <\/p>\n<\/article>\n<\/div>\n

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Constant Quality storage rates quoted are indicative only.<\/p>\n<\/div>\n

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Actual storage rates are entirely dependent on image subject matter.<\/p>\n<\/div>\n<\/div>\n

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Recording Formats<\/h4>\n

Apple ProRes 3840 x 2160 and 1920 x 1080 with film,video or extended video dynamic range or custom 3D LUT.<\/p>\n

H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.<\/p>\n

H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.<\/p>\n

Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Software<\/h3>\n
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\n

Software Included<\/h4>\n

Blackmagic OS<\/p>\n

DaVinci Resolve Studio for Mac and Windows including activation key<\/p>\n

Blackmagic Camera Setup<\/p>\n

Blackmagic RAW Player<\/p>\n

Blackmagic RAW QuickLook Plugin<\/p>\n

Blackmagic RAW SDK<\/p>\n

Blackmagic RAW Speed Test<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Operating Systems<\/h3>\n
\n
\n
\"Mac<\/p>\n

Mac 10.15 Catalina,

\nMac 11.1 Big Sur or later.<\/p>\n<\/div>\n<\/article>\n

\"Windows<\/p>\n

Windows 10, 64-bit.<\/span><\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Power Requirements<\/h3>\n
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Power Supply<\/h4>\n

1 x External 12V DC 100W power supply with 100 – 240V AC 50\/60Hz IEC C14 input.<\/p>\n<\/article>\n

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External Power Input<\/h4>\n

1 x 4-pin XLR port for external mains power supply or battery use.<\/p>\n

1 x 12-pin Molex connector under rear battery plate.<\/p>\n<\/article>\n

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Power Output<\/h4>\n

+12V 4-pin XLR regulated output on side of camera<\/p>\n

+12V D-Tap regulated output on VLock battery plate<\/p>\n<\/article>\n

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Power<\/h4>\n

Rear camera mount compatible with industry standard V-mount or gold mount battery plates.<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Accessories<\/h3>\n
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Optional Accessories<\/h4>\n

Blackmagic URSA Viewfinder<\/p>\n

Blackmagic URSA Studio Viewfinder<\/p>\n

Blackmagic Camera Fiber Converter<\/p>\n

Blackmagic Studio Fiber Converter<\/p>\n

Blackmagic URSA Mini Pro PL mount<\/p>\n

Blackmagic URSA Mini Pro F mount<\/p>\n

Blackmagic URSA Mini Mic Mount<\/p>\n

Blackmagic URSA Mini Recorder<\/p>\n

Blackmagic URSA Gold Battery Plate<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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Physical Specifications<\/h3>\n

\"Blackmagic<\/section>\n

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Environmental Specifications<\/h3>\n
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Operating Temperature<\/h4>\n

0\u00b0 to 40\u00b0C (32\u00b0 to 104\u00b0F)<\/p>\n<\/article>\n

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Storage Temperature<\/h4>\n

-20\u00b0 to 45\u00b0C (-4\u00b0 to 113\u00b0F)<\/p>\n<\/article>\n

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Relative Humidity<\/h4>\n

0% to 90% non-condensing<\/p>\n<\/article>\n<\/div>\n<\/section>\n

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What’s Included<\/h3>\n
\n
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Blackmagic URSA Broadcast G2<\/p>\n

4K B4 lens mount installed<\/p>\n

B4 turret dust cap<\/p>\n

EF Mount with dust cap<\/p>\n

VLock Battery Plate installed<\/p>\n

URSA 12V 100W power supply<\/p>\n

URSA Mini Shoulder Pad<\/p>\n

URSA Mini top handle & rubber stopper<\/p>\n

Viewfinder mounting plate<\/p>\n

2 x 1\/4 inch baseplate screws<\/p>\n

2 x long 1\/4 inch top handle screws<\/p>\n

2 x short 1\/4 inch top handle screws<\/p>\n

8 x EF Mount screws<\/p>\n

4 x VLock plate spare screws<\/p>\n

Welcome wallet with QR code for camera software download<\/p>\n

DaVinci Resolve Studio wallet<\/p>\n

DaVinci Resolve Studio activation key<\/p>\n<\/article>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!<\/p>\n","protected":false},"featured_media":38309,"template":"","meta":[],"product_cat":[1606],"product_tag":[],"class_list":{"0":"post-26243","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-1606","8":"first","9":"onbackorder","10":"taxable","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"yoast_head":"\nBlackmagic URSA Broadcast G2 - Hannu PRO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hannu-pro.ee\/en\/toode\/blackmagic-ursa-broadcast-g2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blackmagic URSA Broadcast G2 - Hannu PRO\" \/>\n<meta property=\"og:description\" content=\"The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! 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