ATOMOS NINJA V + 5″ 8K/4K HDMI H.265 Raw Recording Monitor
5″ Monitor Recorder HDMI HDR or SDR capable of capturing RAW at up to 8K30p and HFR up to 120p in 4K RAW. NINJA V+ 5″ 1000Nit HDR display with support AtomHDR for Log in puts and 3D Luts. HDMI 2.0. Fexibility of codec choice ProRes RAW, ProRes, DNx and h.265
The NINJA V+ is the next stage in the evolution of the multi-award winning Atomos NINJA, delivering up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW while inheriting HDR, 4Kp60 RAW and video as well as HDp120 slow motion from its little brother, NINJA V.
With the ability to capture in 8Kp30 and 4Kp120, the NINJA V+ allows you to stay ahead of the game and ensure that you have the flexibility to grow your system as projects demand. Future proofed quality and formats allow you to stay compatible with newly released and existing cameras, in a world where new cameras are released frequently, and technology is advancing at an incredible pace.
Z CAM E2 / E2-M4 series cameras. Capture and visualize the unseen with 4Kp120 recording at up to ProRes RAW from the NINJA V+ Z CAM E2 /E2-M4 models, with more models to follow. Fully harness the dynamic range of the sensor, capture every aspect of motion and movement directly via RAW over HDMI. Add to this the benefit of being able to play back the high frame rate video captured on the NINJA V+ at various play back speeds to preview the adjustments you can make on your NLE timeline.
An incredible codec arsenal With the flexibility of providing options for RAW, visually lossless edit ready files, and proxy/sharable files, you have the ability to scale your needs for quality, and file size.
• Apple ProRes RAW – supporting 16bit RAW outputs from camera via HDMI
• Apple ProRes – An industry standard edit-ready codec from Apple with scalable levels of compression.
• Avid DNx – An industry standard edit-ready codec for Avid editors with scalable levels of compression.
• H.265 (HEVC) – The highly efficient compressed codec allows you to create high-quality files with a low bit rate and small file size for sharing. You can also create 4K HDR 10-bit deliverables and have the option to ‘bake in’ LUTs to achieve the final pixel LOOK without the need to grade the footage.