

The ATOMOS Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. Pro Kit also pushes the limits of these cameras, recording up to 6K 12-bit RAW* externally on the Ninja’s onboard SSD. Pro Kit also provides the ability to cross convert signals providing a versatile solution for monitoring and playout/review.
Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide offboard 10-bit 422 recording in edit ready codecs or as proxy files from RED or Arri cameras allowing the file naming and timecode from the camera to also be carried via SDI to the recorded files.
And of course the Ninja V also provides support for RAW over HDMI from our evergrowing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E-2 Series, Nikon Z-Series, Lumix S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.
| Camera Manufacturer | Compatible cameras (RAW over SDI) |
|
Sony |
FX9 with XDCA-FX9 RAW output at up to 4k DCI p60 and 2k p180 FX6 RAW output up to 4k DCI p60 |
|
Panasonic |
Varicam LT RAW output up to 4k p60 and high frame rate up to 2k p240 EVA-1 RAW output up to 5.7k p30 and high frame rate up to 2k p240 |
|
Canon |
C500mki Both offering RAW up to 4k DCI and 4k UHD at up to p30 |
Note: Sony FS700, FS5 and FS7 are NOT supported
In playback mode the Ninja V Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.
The Pro Kit offers 3 ways to power your Ninja
| Brand | ATOMOS |
|---|
5” HDR Monitor HDMI HDR or SDR display up to 1000nit, lightweight design crafted for maximum efficiency and weighing in at just 200g, One of the lightest 4K monitors on the market, stealthily attaching to any HDMI camera setup
› 5.5”Optical bonding LCD, 1920×1080
› All metal housing, thinner and robust
› 2K/3G/HD/SD-SDI input and loop out
› HDMI input and converted to SDI out
› 16-ch Embedded audio meters with alert
› Select any 2 audio channels to output
› 9-step quick zoom-in and mapping
› Red/blue Focus assist and precision adjust
› Multi-camera logs to Rec709 conversion
› User 3DLUT cube import via USB stick
› Waveform, Vector scope, histogram R/G/B/Y
› AFD, timecode, H/V delay, Zebra stripes
› Marker 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
› False color, R/G/B/Mono, 100% colorbar
› Various DV battery plate install
› USB firmware upgrade
Datavideo TLM-700HD High res. 7″, 16:9 LCD/TFT monitor. 4:3 ratio compatible. Panel resolution: 800x480Pixels. HD/ SD-SDI, (HD-)YUV, CV and HDMI input. Standard V-mount enabling powering up with universal battery for in the field use. Audio indicator for SDI & HDMI .
ATOMOS Shogun 7, 7″ HDR Pro/Cinema Monitor Recorder-Switcher
SWIT FM-215HDR | 21.5" professional High-bright FHD Filed Monitor with flight case and 12G-SDI 4K QLED HDR 100%DCI-P3 Zero-Delay AI-Calibration


SWIT BM-U175 | 17" 8K 4x12GSDI HDR Zero-Delay Reference UHD Monitor with Auto-Calibration


Datavideo TLM-43LB Kit of Look Back Monitor, Controller and Bracket
Kit of Look Back Monitor, including TLM-430 & RMC-200
7” HDR Monitor HDMI and SDI HDR or SDR display up to 2200 daylight viewable display, HDMI 2.0 support for 4Kp60, 3G SDI support up to 2Kp60. HDMISDI signal cross conversion. Dual NPF battery slots. 3D LUT support and monitoring funtions histogram, waveform, false colour, etc
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